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Postmodernism Project

                In the piece of artwork from the denotative view, there is a man driving in the car without a head. It is from the view point of someone sitting in the back seat of the car. Above the car, the sky is galaxy like with blues, purples, and white in the sky. There are also many stars in the sky. In the front windshield, there is a blurred street with trees on either side. Also, there are hot air balloons floating and a street sign with many different places all of the world listed. In the review mirror there is a black spiral design. In the side view of the window of the car, there are many different colors and shapes that begin to blur as they reach the sides of the page.                 In the connotative and idealogical sense, the fact that this painting is from the view point of the driver in the car who is headless, it takes you on a journey through their mind. The sky is nice and calm...
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Escaping Flatland

           In the reading Escaping Flatland , it talks about the relationship of the viewer of the image, and the artist of the image on a two-dimensional surface. Although we may see things three-dimensional, paintings are all done two-dimensional. In the Japanese travel guide, one is able to see Japan from a bird's eye view perspective. This shows the visual content of the island and the horizontal layout. The viewer is able to see Japan's landscape and understand the relationship between the towns and nature.           I found it interesting that Paul Klee wrote, "It is difficult enough, oneself, to survey this whole, whether nature or art, but still more difficult to help another to such a comprehensive view." This thought stood out to me because it takes time to understand and comprehend a certain aspect in life, or a piece of artwork. This could be what one finds meaning in in life, or what they think the artist is trying to...
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Ways of Seeing

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       In the article Ways of Seeing  John Berger discusses the idea that seeing is the start of everything. We see the physical words themselves first before they are processed and given meaning within our minds. We also see others and objects around us as iterations with each other. We see our spots within society. However, with the invention of the camera and photography, the photographer is able to control where we look and what we see in order to evoke a certain feeling or emotion within us by manipulating our view on a situation.         Berger says "We only see what we look at. To look is an act of choice. As a result of this act, what we see is brought within our reach - though not necessarily within arm's reach" (8). We all choose to see different things based off of what we find important, and our past experiences. For example, when two people are in the same room, one might look at the wall hangings, while the other person is focu...
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