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Showing posts from November, 2017

Gallery Opening

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             I recently attending the Gallery Opening on Thursday, November 9th. The gallery presented Jim Condron's exhibit called Picking Up the Pieces . I found this exhibit to be really interesting. I thought it was cool that he was able to use everyday items, such as money, yarn, cotton etc. to create pieces of artwork that could evoke certain emotions. In one piece that stood out to me, he used fake vampire teeth.                         I found this piece to be very interesting. I like the fact that the artist used plastic blow up balls as the base of the sculpture. He also used different analysis color schemes on each ball. For example, the first ball was different shades of blue, while the second one was yellow and red. This created contrast within the piece. The sculpture made me feel a sense of playfulness for the bright colors and the fact that the balls reminded me of trips to the beach during my childhood.             Over all, I found it very interesting

Art Trip to Philadelphia

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        Over the weekend I had the unique opportunity to go on the art trip to Philadelphia. I live about 45 minutes outside of Philly, so I am familiar with the city, but it was nice to go and visit the museums again for they are always changing the exhibits and artwork. Also, every time I go I feel I see or notice something different, whether it is a whole new piece, or even a different perspective on something I have already seen before.          At the Philadelphia State Penitentiary, we took the walking tour of the different wings and cells. It was crazy to see how the prisoners lived and the conditions of the prison. I tried to imagine what it would have been like if I were living there while the prison was still in operation. For some reason this green door stood out to me. I found myself staring at it for a while fascinated by the colors. The second picture is an installation that was in one of the cells. In this installation, the artist used the faces of th

Escaping Flatland

           In the reading Escaping Flatland , it talks about the relationship of the viewer of the image, and the artist of the image on a two-dimensional surface. Although we may see things three-dimensional, paintings are all done two-dimensional. In the Japanese travel guide, one is able to see Japan from a bird's eye view perspective. This shows the visual content of the island and the horizontal layout. The viewer is able to see Japan's landscape and understand the relationship between the towns and nature.           I found it interesting that Paul Klee wrote, "It is difficult enough, oneself, to survey this whole, whether nature or art, but still more difficult to help another to such a comprehensive view." This thought stood out to me because it takes time to understand and comprehend a certain aspect in life, or a piece of artwork. This could be what one finds meaning in in life, or what they think the artist is trying to express in their piece. Once one ha

Postmodernism Project

                In the piece of artwork from the denotative view, there is a man driving in the car without a head. It is from the view point of someone sitting in the back seat of the car. Above the car, the sky is galaxy like with blues, purples, and white in the sky. There are also many stars in the sky. In the front windshield, there is a blurred street with trees on either side. Also, there are hot air balloons floating and a street sign with many different places all of the world listed. In the review mirror there is a black spiral design. In the side view of the window of the car, there are many different colors and shapes that begin to blur as they reach the sides of the page.                 In the connotative and idealogical sense, the fact that this painting is from the view point of the driver in the car who is headless, it takes you on a journey through their mind. The sky is nice and calm showing a sense of peace in the bigger picture of life. The street signs show a des